Art and Water I: Before Tap Water

A walk through history through objects and works of art that show what life was like before the arrival of water in homes.

A museum exhibit showcases historical hygiene items, including a large ceramic vessel, a reclining chair, and a metal bucket. Informational panels with text in multiple languages are displayed above the artifacts.
Showcase of the Museu de les Aigües

The objects exhibited at the Museu de les Aigües come to life in the work of great artists and tell us about the times when it was still necessary to go and find water outside the houses.

The pulley

Before water reached the taps of homes, it was necessary to fetch it from public fountains or wells, which were only available in some houses. The pulley reduced the effort to be made to extract the water thanks to the change in direction of the applied force.

A vintage metal tripod stand with a circular base and hook at the top, likely used for hanging or supporting objects. The design is rustic and industrial, featuring two intersecting bands for stability.
The Pulley, Museu de les Aigües
A woman stands in a sunlit courtyard holding a white sheet. The courtyard has light blue walls, potted plants, and a water well with a rope. Laundry hangs on the wall, and theres a vase with a plant on the ground.
The Blue Courtyard (1892) by Santiago Rusiñol

The painter Santiago Rusiñol (1861-1931), based on the uses and customs of his contemporaries, was a visual witness to the importance of water, both for practical daily uses, and for setting the typical interior courtyards of the nineteenth century with vegetation.

In his well-known painting The Blue Courtyard, he reproduces in detail the most elementary pulley, used to well the water.

The hand pump

The need to reduce the effort to obtain water led to technical innovations that facilitated this task, based on a set of pressures. The first bomb dates from the third century BC.

A green vintage hand water pump with a long handle and a spout, standing alone on a white background.
The manual pump, Water Museum
A girl sits on some stone steps near a water pump. She is barefoot and wearing a checkered shawl over a white blouse and dark skirt. Beside him is a green jug. The background shows a misty landscape.
The Broken Pitcher (1891) by William-Adolphe Bouguereau

William-Adolphe Bouguereau (1825-1905), a prominent French painter, naturalist and romantic, shows us a young woman, sitting next to a hand pump, with the expression of poetic shyness typical of bucolic painting.

As the title of the work evokes, the girl’s displeasure is due to the fact that the pitcher has broken, depriving her of the longed-for water.

The pitcher

This is probably one of the oldest known water containers. Its primitive form has evolved and crossed eras and continents, without losing its high degree of effectiveness in maintaining fresh water.

A black ceramic jug featuring intricate floral designs and a handle, with a wide spout and base. The surface has engraved patterns, adding to its decorative appeal.
El Càntir
A woman in traditional clothing bends over a basket in a vineyard. Another figure works in the background. A chair, a black urn, and potted flowers are in the foreground, with a church tower visible in the distance. The sky is cloudy.
Harvesting Malvasia (1895) Joaquim de Miró

In The Harvest of Malvasia, Joaquim de Miró i Argenter (1849-1914) clearly emphasises the use of the pitcher as an essential element in agricultural work until well into the twentieth century.

The ferrata

The ferrata, a typical object of grazing crops (sheep, goats) and cattle farming, is used as a container to contain and transport water, milk and other liquids.

A vintage wooden and metal pail with a conical shape, metal bands, and two handles. It has a domed lid with a decorative finial on top, displayed against a plain white background.
The Pail, Museu de les Aigües
Vintage travel poster for Spain with a woman in a red scarf and yellow top, holding a basket of fish. It is located near the sea and behind it is a Galician orreo with fruits and vegetables on the roof. Vivid and bright colors highlight the coastal landscape.
Woman with horseshoe on head and barn in background

The method of transport can be seen in the advertising poster by Josep Morell i Macias (1899-1949) Woman with ferrata on her head and granary in the background, where various Galician ethnographic elements are represented with the aim of promoting tourism.

The ferrata is stable on the protagonist’s head.

Washing wood

The cleaning of household clothes made it necessary to go to public spaces where the washing table was a basic utensil. The wood made the work easier, as it was possible to lean on.

A wooden washboard with a slanted, ridged surface and a small wooden washboard piece beside it, both set against a white background.
Washing wood, Museu de les Aigües
A black and white photograph of a middle-aged woman doing laundry, with an expression that reflects the harshness of women's lives and household chores.
[Laundry Day, North Carolina], (Doris Ulmann, c. 1929)

In this pictorialist photograph, elements that are not at all accidental such as the facial expression and the twisted torso of the woman, produce a strong visual impact and perfectly synthesize the hardness and intensity of manual washing of clothes.

Sink and jug

The concepts of cleanliness and hygiene through water underwent a fundamental transformation at the end of the nineteenth century. A household element as common as the sink, present in many of the rooms intended for bedrooms, will be lost with the arrival of tap water.

A jug above the wash basin, a concave receptacle
Hand wash and jug, Museu de les Agües
Van Gogh's famous painting, The Room. There is a bed in the room
The bedroom (1888) by Vincent Van Gogh

A bedroom that is as austere as it is colourful will give Vincent van Gogh (1853-1890) the opportunity to almost inventory the essential elements for a single room at the end of the nineteenth century.

The painter incorporates the sink and the jug as vital minimums, in his well-known pictorial work Bedroom in Arles.

Seat bathtub

Until well into the twentieth century, the bath was mainly used for therapeutic purposes. The appearance of new containers promised new uses of water, such as the cure and relief of pain or, simply, a pleasant rest.

A vintage, metal, deep, high-backed, chair-like bathtub with a rounded base, designed for soaking.
Bath tub, Water Museum
Engraving of a man smoking and reading while taking a bath. Underneath the engraving it says Cool and comfortable this hot weather.
"Cool and comfortable in this hot weather"

This newspaper illustration depicts a bourgeois character comfortably seated, smoking and reading the press in a bathtub, as a caricature of the British bourgeoisie.

The cossi

The cossi appears in most houses. Due to the robustness of its structure, its apparently simple function became essential in washing, draining, transporting and hanging clothes.

A large rustic metal tub with handles on each side. The surface is distressed, giving it a vintage look. The lighting highlights its metallic texture.
Tub, Museu de les Aigües
In this impressionist painting, a naked woman can be seen in the foreground, in profile and crouching, while she is washing herself in a wide bodice.
Woman Washing in a Shallow Tub (Edgar Degas, 1885)

In the mid-1880s, Edgar Degas (1834-1917) painted a series of seven pastels with the same motif, that of a woman collecting water with a sponge during personal cleansing, in a wide and shallow body.

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